Often damaged with time, the sculptures are broken, fractured with limbs missing. Qi Zhuo got the idea to bring them back to life, to restore them in his own unique way: he’s going to use blown glass to fill the void, the lost fragment. Thus, a new life cycle is formed as the pre-existing artwork becomes another, evoking the bouddhist’s reincarnation cycle. The chemistry occuring between the shape of the age-old originnal stone sculpture with the contemporary and delicate aspect of the colored glass carrying the statuette leads us into the peculiar, the incongruous which are concepts dear to the artist, for whom humor and transgression are natural forms of communication.