Vues d'artiste,

NOV 5th - DEC 17th, 2022

Online exhibition of Baptiste Rabichon for his solo show : “Vues d’artiste”

Baptiste Rabichon Vues d'artiste Galerie PARIS-B Galerie Paris-Beijing
Exhibition view, Baptiste Rabichon - Vue d'artiste, 2022

Nov 18, 2021 – Jan 29, 2022
More About:
Baptiste Rabichon

After the James Webb telescope sending us stunning images of the stars in a hitherto unseen definition, Baptiste Rabichon goes back and forth between his light drawing table and the absolute darkness of his photo lab; he brings back his own visions of the Cosmos, his new series, Vues d’artiste.


Named to tribute to the illustrations of objects, beings or phenomena for which no photographic representation is available and which often accompany popular scientific articles, Vues d’artiste is a walk through a fantasised universe, populated by stars and unusual landscapes. A walk resulting from a strange alchemy, between the gesture of drawing and the photographic process.

Baptiste Rabichon, Vue d'artiste -16, 2022. Photogram, 30 x 40 cm.

On small sheets of tracing paper, Baptiste Rabichon draws spheres, dots, spots… These transparent sketches are then placed on photosensitive paper in total darkness before the enlarger is switched on… Fiat lux. And the light, passing through the tracing paper, creates night. An authentic photographic blackness that engulfs the drawing, transforming each sphere, point, spot into as many planets, stars and galaxies.

In contrast to the fiction of the “Vues d’artiste”, the works in the “SPECIMENS” series, which Baptiste Rabichon constructed as a continuation of his vast 20th century project (one of which closes the exhibition as a farewell to this work), are the result of a real, precise and meticulous recording of samples of coloured matter. So there is nothing imaginary in SPECIMENS, except in what we think we are observing; micro-organisms, cells, algae, viruses?

Baptiste Rabichon, SPECIMENS - N, 2021. Unique chromogenic print, 179x125 cm

Thousands of floating corpuscles, captured by who knows what high-precision microscope… The blurred areas, which can be seen here and there, suggest that these large prints are the result of a complex analogical process, between imprint and optical projection; the artist follows the photographic gestures in order to scrutinize these surprising polychrome specimens, these samples of primitive soup… And to bring back to us these majestic colour prints.​

Baptiste Rabichon Vues d'artiste Galerie PARIS-B Galerie Paris-Beijing
Baptiste Rabichon, SPECIMENS - Q, 2021. Unique chromogenic print, 179x125 cm

Infinitely large/infinitely small, microscope/telescope… behind these obvious op-positions, with which he has maliciously studded his new exhibition, Baptiste Rabichon plays with what he sees and would like to see, what he imagines and what he finds, what he has at hand and what he does with it. Twisting and turning from dream to sign, from tale to proof, he delivers a new body of subtle works, between vision and observation.

Baptiste Rabichon

Born in Montpellier in 1987, Baptiste Rabichon lives and works in Paris. After viticulture and oenology studies, he went to ENSA Dijon in 2009, to ENSBA Lyon in 2011 and finally to ENSBA Paris in 2012. In 2015 he joined the National Studio for Contemporary Arts (Le Fresnoy) from which he graduated in 2017 with honors from the jury. He was the winner of the 2017 BMW residency and participated to the 63th edition of the Salon de Monrouge. In 2021, he was the winner of the Picto Lab Prize.


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