SOULEIMANE BARRY
RACINES

SEP 6th - OCT 25th, 2024

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PARIS-B is delighted to welcome the artist Souleimane Barry for his first solo show, entitled “Racines”. 

What is a root?

This ancient word, derived from the Latin “radix”, first refers to what connects a living being to the earth. Invisible yet vital, it is through the root that the plant draws its sap, its grounding, its memory.

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Souleimane Barry, Mère nature, 2024 Acrylic on canvas, 160 x 200 cm

But beyond the plant world, the root is also a universal metaphor: it speaks to our origins, our sense of belonging, and the silent transmissions we carry

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Souleimane Barry Dialogue du corps , 2024 Acrylique sur toile 162 x 130 cm

In this new series of paintings, Souleimane Barry explores roots in all their polysemic richness. He questions the interdependence of living things, the strength of natural cycles, but also the fragility of our fundamental bonds — to nature, to the earth, to our histories. His figures, hovering between appearance and disappearance, seem to emerge from a shared humus.

Souleimane Barry Dans l'eau et dans les airs, 2024. Acrylique sur toile, 205 x 200 cm

Racines is not a return to origins, but a search for living anchorage. The painter dives into the depths, not to retreat,
but to bring forth a burning present — one marked by uprooting as much as by the desire to reconnect in a shared
world.

In nature, nothing grows without a subterranean system. A root is not merely the past: it is an active structure, a condition for growth. It connects the being to the soil as much as to a dynamic.

Laura Garcia Karras, Rosebud, 2023, oil on canvas, 40 x 30 cm
Laura Garcia Karras, Rosebud, 2023, oil on canvas, 40 x 30 cm
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Souleimane Barry, Sur la branche, 2025 Acrylique sur toile, 50 x 40 cm
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Souleimane Barry, Bouquet jaune, 2025 Acrylique sur toile 40 x 50 cm
Laura Garcia Karras, Rosebud, exhibition view, PARIS-B, 2024. Photo Théo Baulig
Laura Garcia Karras, Rosebud, exhibition view, PARIS-B, 2024. Photo Théo Baulig
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Souleimane Barry Tenir debout , 2024 Acrylique sur toile 130 x 97 cm

In Barry’s work, this thinking takes shape in matter. He blends oil and water, allows incompatible elements to coexist, creating organic and unstable textures. Each canvas becomes living ground, nourished by tension and silent metamorphoses. The root becomes a method: it connects, irrigates, reveals what would otherwise remain underground.

Simone Weil described rootedness as a vital human need. Édouard Glissant evoked rhizome-roots — multiple, shifting, open to the Other. Hannah Arendt asserted that humans carry their roots within them, transforming them throughout their journeys.

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Souleimane Barry La graine, 2025 Acrylique sur toile 50 x 40 cm
Laura Garcia Karras, Rosebud, exhibition view, PARIS-B, 2024. Photo Théo Baulig
Laura Garcia Karras, Rosebud, exhibition view, PARIS-B, 2024. Photo Théo Baulig
Laura Garcia Karras, Brames, 2023, oil on canvas, 180 x 140 cm
Laura Garcia Karras, Brames, 2023, oil on canvas, 180 x 140 cm. © Max Vm

If the works of Laura Garcia Karras raise questions about both the act of painting and the symbolism of figuration today, they also question our way of understanding a painting that disrupts the dynamics of seduction by tending towards their abolition.

Text by Anne-Laure Peressin (curator),
Extract from the Press Release

Laura-Garcia-Karras_Brames-(detail)_2023_oil-on-canvas_180 x 140cm_photo-by-Max-Vm_Courtesy-of-the-artist-and-PARIS-B
Brames (detail)
Laura Garcia Karras, Rosebud, exhibition view, PARIS-B, 2024. Photo Théo Baulig

Born in Burkina Faso and based in France, Barry inhabits a fertile in-between. His roots — cultural, spiritual, or imaginary — never point to a fixed origin. They are mobile, fragmented, like Glissant’s rhizome.

In a world that is coming undone, Racines invites us to slow down, to notice what still connects us. And perhaps, to relearn how to grow together.

Catalogue of Works

Born in 1980 in Burkina Faso, Souleimane Barry is a painter based in France. His native Africa, his roots, and his relationship with nature form the foundation of an experimental pictorial practice. He received training in various experiences, including the calligraphy workshop of Bobo-Dioulasso and a workshop for hand-painted commercial signage, which helped him develop his eclectic style. Several drawing and painting programs in Burkina Faso also enabled him to refine his technique.

More about the artist

SOULEIMANE BARRY

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