PARIS-B is delighted to welcome the artist Anna Nero for their first solo show in France, entitled “The Secret Room”, unveiling her latest paintings.
Anna Nero’s paintings unfold as surfaces of contradiction.
Flat fields of color, rigid outlines, organic bursts — everything seems to waver between the coldness of industrial design and the suppleness of an intimate gesture.
Yet beyond this formal ambivalence, a deeper language emerges, nourished by underground imagery: the world of comic books, with its bold contours and visual irony; the aesthetics of BDSM, with its codes of leather, metal, restraint, and ritual; and the culture of piercing and tattooing, which inscribes the body as a site of expression and transgression.
“The subject of my work? It’s painting, there are no other subjects. Naturally, I use elements that inspire me.
They can take different forms: music, a situation, a memory, a proclivity…
all of which move from the real to the imaginary.”
— Laura Garica Karras
Thus, the artist diverts aesthetics traditionally associated with power and constraint, making them vibrate differently. Her geometric motifs — reminiscent of harnesses or protective grids — dissolve beneath acid-bright colors, as if painting itself were disarming aggression through a caress. This dual movement evokes what Jack Halberstam calls “minor forms”: marginal aesthetic practices that deconstruct dominant narratives and open up other modes of being — more fragile, more ambiguous.
Roland Barthes once reminded us that “the sign never exists alone”: it is always caught within a system. In Anna Nero’s work, these signs of subculture — chains, spikes, frames — do not function as mere quotations, but as displaced, hybridized elements, contaminated by a chromatic softness. The brutality of the code is gentled, almost maternal. In this sense, her work echoes Georges Bataille’s definition of eroticism as a tension between violence and tenderness, between violation and surrender.
In Nero’s practice, painting becomes a site of negotiation between hardness and softness, between the underground and the intimate. Here we find Deleuze and Guattari’s notion of “becoming-minor”: a process that transforms established codes into new forces, shifting visual language toward unexpected intensities. Constraint turns into play, stigma into ornament, rigidity into skin.
By blurring the boundaries between power and vulnerability, between underground codes and feminine sensuality, Anna Nero composes images that disarm. Her canvases do not seek resolution; they oscillate, they vibrate, they seduce. They remind us that painting can be a space of paradoxical contact — at once caressing and cutting, tender and subversive.
Catalogue of Works
Born in 1988, Anna Nero received her MFA from the Academy of Fine Arts Leipzig and currently serves as guest professor at Burg Giebichenstein in Halle. Her works are held in major collections such as G2 Kunsthalle and the Museum of Fine Art Leipzig.